This would be with a view to living with these compositions before they developed them for the next album. Few of the multi-platinum-selling Canadian's fans knew Radiohead's work beyond 'Creep', and since the band had by now pretty much mentally archived The Bends' material and were more excited about the new songs they were writing, they figured it didn't make too much difference if they played as-yet-unreleased songs. To merely brand it a landmark of the 90s is a disservice to its insight OK Computer is as relevant now as ever, both culturally and sonically.’. ‘Its release in 1997 captured a moment in time that was somehow ahead of its own. According to guitarist Ed O'Brien, it was little more than a farm outhouse, albeit one appealing to the group's romantic notions of bucolic isolation.įirst, though, the band had commitments to honour in the US – a string of arena dates opening for the newly crowned queen of radio-friendly angst-rock, Alanis Morissette. Album review by André Dack, Frederick OBrien, and Andrew Bridge.
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Yorke and guitarist and keyboard player Jonny Greenwood (right)Īs the spring of 1996 turned into summer, the band reconvened with Godrich at their already-established rehearsal space, Canned Applause, situated in the Oxfordshire countryside near Didcot. Happy 20 years, Ok ComputerHammerstein Ballroom, New York, NY, USADecember 19th, 1997Airbag 00:00Paranoid Android 04:42Subterranean Homesick Alien 11:07Exit Music (For A Film) 15:46Let. By the time their third album OK Computer was ready in May 1997, the only question was how they could match its predecessor's universal acclaim. Nor did they have to prove anything to a music press that mocked the apparent Nirvana-esque 'complaint rock' of their transatlantic 1993 hit 'Creep', and presumed they'd fade as quickly as a thrift store lumberjack shirt now Britpop was the sound sweeping the airwaves. But after Radiohead slowly but successfully reinvented themselves in the eyes of the world – from post-grunge one-hit wonders to pioneers of an introspective, hauntingly melodic yet crunchingly cathartic rock sound – they were answerable to no one.Īfter the snowballing success of their 1995 long player The Bends, no A&R man could ever tell them, 'I don't hear many hits – go back and write a single'. It's a relatively rare luxury for a band on a major label to be granted the freedom, the budget and the technology to pretty much do what they want. Now, about that blissfully easy third album. And if you listen closely, you might just hear the sounds of ghosts wailing in the Somerset night.ĭifficult second album? Been there, done that, sold the T-shirts. With like-minded producer Nigel Godrich onboard, the Brit band's experimental side came to the fore on their platinum-selling third album, released in 1997.